Max Eilbacher Berlin, Germany
( ͡ᵔ ͜ʖ ͡ᵔ)
.pǝsɹǝʌɐɹʇ ǝq ʇsnɯ ssʎqɐ ʅɐɔᴉƃoʅouǝɯouǝɥd ɐ ʻpunos ⅎo ʇuǝpᴉɔuᴉ ɥɔɐǝ ɥʇᴉϺ
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t̴̻͔͐̒h̵͎̫͓́͊̽è̵͍̙̺͒́ l̵̡̻̼̔̽͆i̴̡̢̘͑͆͘s̵͖̦̝̾͆̕t̵̡̙͙͐̓́e̵̢̞͍͊͐͆n̵͙̫̾̓͝e̴̘̻͇̐͘r̸͎̫͍̐͑͘ í̸͔̟͎́͝s̸̟͍̝̈́͆ t̴͚̘̀̈́͠h̴͕̟͋͒̐e̵͎͉͓̿̈́͌ a̴̠̻̙͐͑̾ǵ̵͙͙͠ë̴͎̦̠́͘͝n̴̼̞̝̒͛͠t̵̡̫͕͑͐͑ t̸̡͕̙̀̈́͆ä̸͙̠͙́̀͒k̵̞͓̞̓͋i̵͇͉̻͐̔͘n̴͓̟̦͊͑͝g̸̢̻͑͋͝ s̸̠̪͓̔͑̽ǘ̴͓̙͌c̵͖̫̦͛͑͝h̴̺̞͇̐́́ a̴͍͔̠͘̚͝ l̵͕̪̞̽̿̿e̴̫͙̺̐̀̚a̸̦͇̪͐́͘p̴̡̺͖͌͝
ℳ𝓊𝓈𝒾𝒸?
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“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach Enough said.
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Surprise! Nathan Jenkins is back with a playful new avant-pop effort featuring Carly Rae Jepsen, Panda Bear, and Charlotte Adigéry.
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They’re back, just in time for the weekend. The new one from Justice features Tame Impala, Connan Mockasin, Miguel, and more.
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Thom Yorke’s for Daniele Luchetti’s film “Confidenza” features rich, rococo compositions bolstered by strings, brass, and more.
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