VL #5 "Beamforming a Temporary City"

by Max Eilbacher

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CDR# 5 "Beamforming a Temporary City"
Compact Disc (CD) + Digital Album
The digital files but on a cd that gets mailed to you. Pretty fun, you can put it on a shelf and then throw it away when you move! Until moving day comes you can take it off of the shelf and listen to it.

Includes unlimited streaming of VL #5 "Beamforming a Temporary City" via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Beamforming a Temporary City 32:42

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about

BATC concerns materials and technologies not yet available. My use of such speculative engineering is concerned with the final product, an abstract sculpture, a functional building, or a sensory experience. It is also concerned with the disparate raw components that are synthesized together to create such a possible finished creation. The extraction, amalgamation, and transportation of these yet-unknown resources play a critical role in BATC. I started working on this transmission of theoretical architectural materials in the early days of March 2020. I worked manically on the piece as I adjusted to the new temporal and mental shifts brought on by Spring 2020. Laboring with the sonic mass I had accumulated was more an act of stress release than an enjoyable process of composing music. As much as I tried to manage the chaotic job site, I eventually abandoned the work. I found the dense material was unmanageable and unlistenable. 10 months later, I ran across the project folder when I was looking for source material to input into a new audio processing technique. With this new method of modulation, I could alter the pitch and timbre of a sound in an idiosyncratic manner. Working at the frame rate level, this method allowed me to stretch, modify, and transform an audio file in extremely subtle ways. With this type of processing, the mess I had walked away from slowly became the structure I had previously envisioned. The construction and transmission I was striving for could finally be achieved. 32 minutes of audio frame modulation and custom modal synthesis coalesce to form a dense yet simple aural glare.

Recorded March 2020-April 2021
Baltimore Maryland
Mastered by Giuseppe Lelasi.

Image by Owen Gardner

credits

released June 22, 2021

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Max Eilbacher Berlin, Germany

( ͡ᵔ ͜ʖ ͡ᵔ)
.pǝsɹǝʌɐɹʇ ǝq ʇsnɯ ssʎqɐ ʅɐɔᴉƃoʅouǝɯouǝɥd ɐ ʻpunos ⅎo ʇuǝpᴉɔuᴉ ɥɔɐǝ ɥʇᴉϺ
¯\_( ͡° ͜ʖ ͡°)_/¯

t̴̻͔͐̒h̵͎̫͓́͊̽è̵͍̙̺͒́ l̵̡̻̼̔̽͆i̴̡̢̘͑͆͘s̵͖̦̝̾͆̕t̵̡̙͙͐̓́e̵̢̞͍͊͐͆n̵͙̫̾̓͝e̴̘̻͇̐͘r̸͎̫͍̐͑͘ í̸͔̟͎́͝s̸̟͍̝̈́͆ t̴͚̘̀̈́͠h̴͕̟͋͒̐e̵͎͉͓̿̈́͌ a̴̠̻̙͐͑̾ǵ̵͙͙͠ë̴͎̦̠́͘͝n̴̼̞̝̒͛͠t̵̡̫͕͑͐͑ t̸̡͕̙̀̈́͆ä̸͙̠͙́̀͒k̵̞͓̞̓͋i̵͇͉̻͐̔͘n̴͓̟̦͊͑͝g̸̢̻͑͋͝ s̸̠̪͓̔͑̽ǘ̴͓̙͌c̵͖̫̦͛͑͝h̴̺̞͇̐́́ a̴͍͔̠͘̚͝ l̵͕̪̞̽̿̿e̴̫͙̺̐̀̚a̸̦͇̪͐́͘p̴̡̺͖͌͝

ℳ𝓊𝓈𝒾𝒸? ... more

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